The Woman in Black 2: Angel of Death

A bunch of London kids area unit packed up and shipped off to a large house within the country for keeping throughout warfare II. And once there, they notice one thing rather sudden. 

Sounds slightly just like the starting of The Lion, the Witch and therefore the Wardrobe, does not it? Except there is not any wizardly wardrobe able to spirit curious kiddos off to a keen land named Narnia during this tale—just a creepy previous cellar, a purportedly bolted nursery and plenty of troubling playthings. there is not any lion, either. however a witch? American state, yes. there is a witch.

No white witch, this one, however a mysterious, morbid figure UN agency skulks through the house dressed tired black. She died within the house it slow agone, however her unhappiness and hate create her linger. and she or he will love very little children—to death. She'd like nothing a lot of than have this new large indefinite amount of very little ones keep with her ... forever.

It seems like many of the scariest supernatural horror villains I've heard of or seen lately have been women. Bathsheba from The conjury, Mama from Mama, all those stringy-haired women from Japanese-inspired horror flicks just like the Ring ... there is one thing significantly subversive concerning casting females in these roles, I think—particularly once they (as happens here) take advantage of kids. we tend to associate girls, naturally, with motherhood. A mom would do anything to protect her kids, we tend to believe—and thus once we tend to see that maternal instinct twisted into one thing horrific, it bothers us maybe to a small degree quite after we see constant behavior coming from men. 

The Woman in Black 2: Angel of Death is so a irritating, troubling film, filled with part creeps and many jump scenes. there is not the maximum amount visceral content as you may expect from such a scarefest: very little to no physiological property on show, hardly any language and astonishingly spare quantities of blood. however all that will during this case be to a small degree beside the purpose, as a result of there is additionally little redemptive worth lurking during this darkness. 

"Our own worst enemy is ourselves," Jean says. "Our fears. Doubts. Despair. that is what can destroy United States of America." we tend to see individuals attempt to clear their minds of such negative thoughts. Optimism, the film suggests, is that the key to pushing back its cold, black villains. and that we see some noble efforts therein regard.

Keep calm and smile at the demon, you may say. however since once will that kind of issue save the day? within the finish we tend to're left—as we were within the 1st movie—with a sense of unhappy, spooky inevitability: in spite of what proportion spirit our heroes show, or however fervidly they need to smile wide enough to dispel the evil, we tend to get the sense that jenny can simply persevere stalking those gloomy halls—and maybe venture on the far side them, too. 

The Woman in Black can't be stopped with a gay acknowledgement or a double dose of grit and gumption. Not, at least, as long as there is cash to be created within the business of sequels.

GENRE

Drama, Mystery/Suspense, Horror

CAST

Phoebe Fox as Eve Parkins; Helen McCrory as Jean Hogg; Jeremy Irvine as Harry Burnstow; Oaklee Pendergast as Edward; Adrian Rawlins as Dr. Rhodes; Amelia Pidgeon as Joyce; Jude Wright as Tom; Leanne Best as The Woman in Black

DIRECTOR

Tom Harper

DISTRIBUTOR

Relativity Media

IN THEATERS

January 2, 2015

ON VIDEO

April 7, 2015

REVIEWER

Paul Asay

source:http://www.pluggedin.com/videos/2015/q2/woman-in-black-2-angel-of-death.aspx

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Danny Collins

In 1971, Danny Collins was a recent face on the music scene. A kid, really. He was a young man with a present for words and an exact sense with a musical line. Why, some were even comparison his work to former Beatle songster.

Danny's debut album was on its far the charts once he Sabbatum right down to do his 1st interview with the well-known music magazine Chime. And he was quite virtually shaking in his boots. most so the hairy , shades-wearing and cig-puffing author he was sitting across from could not facilitate however tease his innocence.

Skip ahead regarding four decades and Danny are often known as several things, however innocent ain't one in every of 'em. he is a hollowed-out aging rocker who's still creating bank from oldies concerts once he isn't too busy snorting coke and grabbing for the backside of no matter twentysomething he is attending to marry on.

That 1st album created him a star. however since then it has been a slow slide—selling intent on regardless of the music label desires and keeping himself simply high enough to hardly care. however he will care. Down deep he realizes that once he was shaking in his boots approach back when—afraid of being consumed by the business and losing himself and his music—there was smart reason for it. And currently he is simply tired of it.

It's right regarding then that Frank, his manager, drops Associate in Nursing sudden birthday present in Danny's lap. It's one thing Frank found on-line and has been holding onto till this special occasion, Associate in Nursing undelivered 1971 letter to Danny from mister. Strawberry Fields himself—John Lennon.

It seems that mister. Lennon had scan that Chime interview, detected the comparisons to his own work, perceived Danny's worries and reached intent on the new child with a written textual matter. it absolutely was sent to the magazine, however, and therefore the article author snatched it up and oversubscribed it to a collector for large usd.

What did it say? Ohio, it merely inspired Danny in his art. And it invited him to prevent over and discuss career selections. That's all.

But what would have happened if he had truly gotten that letter once it absolutely was sent? Danny wonders. Would his life had been different? Would his career have changed? Would he currently feel alittle less recent and wasted and crumpled-up and empty?

It's too late to satisfy John, however Danny involves the conclusion that it is not too late to do at life. He vows to prevent his tour and do the forms of things he thinks Lennon would have needed. 

He'll quit the medicine. He'll begin to write down once more. He'll … meet his son.

As the credits roll, we discover out that the "undelivered Lennon letter" at this movie's core was Associate in Nursing actual factor. it absolutely was sent within the '70s to a budding British musician distressed regarding the corrupting influence of fame. He got it thirty five years later. the remainder of this flick, however, is total fantasy. Or because the film itself puts it, "Kind of supported a real story alittle bit."

Still, Al Pacino is completely convincing in his aging pop star role, and that is in spite of being unable to hold a tune up a bucket. He and therefore the remainder of this terribly capable solid do precisely what is required to draw America into the compelling story of a burned-out rocker WHO longs to begin over, a man driven to attach with some tiny scrap of excellent once wallowing goodbye in sold-out hollowness. 

In fact, if you add up all the well-crafted and family-celebrating components of this pic, you may say it is the film stock equivalent of a feel-good hit you hear on the radio and instantly fall loving with. however even a catchy tune will typically sound shrill with the incorrect combine.

And that's precisely the track Danny Collins is on.

For as we're performing arts to the spirited beat of quality life lessons associated with living our lives well and loving  our families ferociously, we're conjointly blasted with the shoddy syncopation of a rocker snorting coke and obtaining falling-down drunk. We're assailed with a tawdry music video that's a very spare, overlong ogling of Danny's naked girlfriend. And our ears get rapped by the raunchy rhymes of gutter-level obscenities.

GENRE

Drama, Comedy

CAST

Al Pacino as Danny Collins; Bobby Cannavale as Tom Donnelly; Annette Bening as Mary Sinclair; Christopher Plummer as Frank Grubman; Jennifer Garner as Samantha Leigh Donnelly; Giselle Eisenberg as Hope Donnelly

DIRECTOR

Dan Fogelman

DISTRIBUTOR

Bleecker Street Media

IN THEATERS

March 20, 2015

REVIEWER

Bob Hoose

source:http://www.pluggedin.com/movies/intheaters/danny-collins.aspx

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