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Tampilkan postingan dengan label Fantasy. Tampilkan semua postingan
Tampilkan postingan dengan label Fantasy. Tampilkan semua postingan

Rabu, 13 Mei 2015

Cinderella (Newest)

I do believe man. Walt Disney, were he still around, would be pleased with what the caretakers of his unreal gift have finished the 2015 live-action version of Cinderella. It's for the most part faithful the initial 1950 animated movie's mood and story. And wherever it deviates and expands upon it, it will thus in ways in which add drips and drabs of significance and depth.




In different words, this can be not a broken fairy tale as such a lot of square measure during this new century. The film repeatedly emphasizes kindness and bravery, that culminate in Ella gracefully forgiving her wicked stepparent. It's one thing that offers this version of a story that is been around for many centuries associate degree unexpectedly virtuous resonance.

The magic fairy godparent remains a central a part of this story, of course. and oldsters of would-be princesses ought to rigorously calculate the body-image and modesty problems raised by the quite low-cut costumes and painfully corseted torsos. (What will this say concerning the feminine kind and girls' intrinsic price, once all?) actually Downton Abbey star liliaceous plant James could be a vision of bright beauty as Ella. however a minimum of her outward beauty is affectingly increased by associate degree inner kindness and bravery, things she manages to carry on to despite the abuses cumulous upon her by her stepparent and stepsisters.

Many a fairy tale concludes with, "And they lived with happiness ever once." Fewer begin from such an area. except for Ella, life was so entranced.

Growing up in a very sprawling country mansion, her days comprises communication together with her animal friends (especially four mice living within the house) and basking within the delight of her fond folks. then again Ella's mother falls mortally sick. On her death bed, she beckons Ella near tell her "a nice secret which will see you thru all the trials life must offer: Have bravery and be kind."

As the years roll by, Ella and her father, a merchant, build an honest effort to fancy life along. however melancholy fills his heart, a looking for fellowship. And so, once he meets an attractive widow with 2 daughters concerning Ella's age, it looks an ideal chance for a second chapter of familial elation.

Except that it is not.

You already grasp that woman Tremaine is as cruel as her daughters square measure vain. And once Ella's father dies on a journey, the teenager lady is left with very little additional during this world than the ideas of bravery and kindness her mother bequeathed to her.

And the antecedently unthought-of love of an enthralling blue blood, of course!

Ella's maidhood house is as happy because it may probably be. She enjoys the love of 2 folks World Health Organization care for her fully. it is a stunning image of familial affirmation and affectionateness, associate degreed it's an setting during which Ella's soul prospers.

After Ella's father meets woman Tremaine and admits to his female offspring that he is considering marrying her, he asks Ella, "Do you think that i would be allowed a second likelihood at happiness?" Ella courageously encourages her father to pursue that likelihood.

A servant delivers Ella's father's last tender message to his female offspring, saying, "To the tip, he spoke solely of you, miss. And your mother." Ella then turns her attention to dutifully serving her stepparent, paying very little heed to her own desires and wishes as she fierily tries to measure up to her mother's dying want for her.

On that fateful day once Ella meets the blue blood, he's looking an enormous stag. Ella—who's been "talking" to his target—convinces him that the fantastic beast has additional living to try and do. it isn't the anti-hunting message that is the huge positive here, I ought to note. Rather, it's Ella's overarching urging that "we should merely have bravery and be kind, mustn't we?" And her any insistence that "just as a result of it's done does not imply it ought to be done" gets cipher, later, to the topic of forced marriages for the sake of monetary and political enrichment.

Indeed, the blue blood bit by bit reveals his noble character partially by his unshakeable disposition to marry Ella, a human with no gift or royal influence to supply him. And he shares a robust, i relationship together with his father, too, one that improves because the motion-picture show goes on.

In one exchange with woman Tremaine, Ella asks her, "Why square measure you thus cruel? i attempted thus onerous to be kind to you." woman Tremaine responds, "Why? as a result of you're young and innocent and smart. And I—" (She stops short, unable to admit that she herself is none of these things.) abundant later, Ella gracefully tells her stepparent, "I forgive you."

GENRE: Drama, Romance, Sci-Fi/Fantasy, Family
CAST: Lily James as Ella/Cinderella; Eloise Webb as Young Ella; Hayley Atwell as Cinderella's Mother; Ben Chaplin as Cinderella's Father; Cate Blanchett as Lady Tremaine; Richard Madden as The Prince; Helena Bonham Carter as The Fairy Godmother; Holliday Grainger as Anastasia; Sophie McShera as Drizella; Stellan SkarsgÄrd as The Grand Duke; Nonso Anozie as The Captain; Derek Jacobi as The King
DIRECTOR: Kenneth Branagh (Jack Ryan: Shadow Recruit, Thor)
DISTRIBUTOR: Walt Disney
IN THEATERS: March 13, 2015

REVIEWER: Adam R. Holz

source:http://www.pluggedin.com/movies/intheaters/cinderella-2015.aspx


imovieu.com

Chappie

If you are taking the time to undertake extremely exhausting to suppose at a lower place the uncomfortably rough-edged surface of this RoboCop quite film, you may most likely capture one thing of a dramatic play buried beneath its topsy-turvy circuit boards and wires. For because the childlike AI Chappie is instructed into changing into a profanity-spewing, crotch-grabbing gangbanger by his crime-crazed "Daddy," one will spot associate allegory telling of innocence being corrupted. And as mankind's rampant evil nature runs amok, it's Chappie's sentient goodness that eventually offers humanity a brand new direction.


But finance all that thought and energy during this case appears hardly definitely worth the effort. This pic is chockful of one-note, unlikeable characters—Chappie among them—and vastly implausible things. Its action veers from simply unsavory toward crude and obscene to outright blanch-at-the-man-ripped-in-half gory.

And that whole issue of looking at computing and sentience intersect? No, no, never mind. Let's simply say that intelligence of any stripe does not fare okay here.

By 2016 the entire town of urban center, African country, has become one thing of a social experiment with the bulk of on-the-street policing action appropriated by robots. And decision making from the short visit crime, the high-tech maneuver is functioning as good as.

Deon Wilson is not glad. he is the artificer of the human-size "Scout" bots that area unit out keeping the peace and creating the defense-focused characid Vaal house. the talk about the planet. What Deon would really like to check, though, could be a new wave of utterly sentient machines, mechanical men United Nations agency will write poetry or paint a landscape, mechs that may suppose and feel.

Deon's boss, Michelle Bradley, is not therefore obsessed on that concept. Why "fix" what ain't broke? is her shibboleth. characid Vaal is already scooping up cash hand hand, therefore it is best simply to create positive the Scouts merely do their job as secure.

Another guy who's not too proud of any of Deon's ideas could be a fellow designer by the name of Vincent Moore. Vincent had a mechanism style within the works, too. solely his was a colossal, heavily weaponized jet-powered thumper known as the deer. it absolutely was a rich, outwardly piloted war-bot that lost most of its development bucks once Deon's light-weighter and cheaper patrollers got the inexperienced light.

Never mind them, though, Deon figures. 'Cause he is already broken the code on a full-consciousness program! currently it's simply a matter of concealed out the robo-parts and building his new wunderkinds.

But there is an extra cluster that is on the brink of get within the means: a trio of low-rent gangbangers United Nations agency area unit pretty annoyed with this whole mechanism quelling on their way of life. therefore whereas spewing swear words and shooting stuff, they decide it is time to urge their hands on a mechanism remote or one thing, a thingamabob that'll allow them to shut these bots down.

Their plan? snatch Deon Wilson and force him to repair them up.

When they grab Deon, the thugs notice they've landed way more than they expected—two for the value of 1, as it were. as a result of right there with Deon area unit the elements for a brand new mechanism ripe for the taking. It's associate odd one, granted, acting sort of a huge baby nearly. however they will get the machine up to hurry in no time—shooting, pillaging and strutting rather like them.

Now all we've to try to to is sit back and see however it all works get into a thoughtful and compelling examination of the intersection of humanity and computing.

Only kidding. unrefined and bloody apocalypse here we have a tendency to come!

GENRE: Drama, Action/Adventure, Sci-Fi/Fantasy
CAST: Dev Patel as Deon Wilson; Hugh Jackman as Vincent Moore; Sigourney Weaver as Michelle Bradley; Jose Pablo Cantillo as Yankie; Sharlto Copley as Chappie; ¥o-Landi Vi$er as Yolandi; Ninja as Ninja
DIRECTOR: Neill Blomkamp (Elysium, District 9)
DISTRIBUTOR: Columbia Pictures
IN THEATERS: March 6, 2015

REVIEWER: Bob Hoose

source:http://www.pluggedin.com/movies/intheaters/chappie.aspx

imovieu.com

Guardians of the Galaxy

Movie Info

From Marvel, the studio that brought you the global blockbuster franchises of Iron Man, Thor, Captain America and The Avengers, comes a new team-the Guardians of the Galaxy. An action-packed, epic space adventure, Marvel's "Guardians of the Galaxy" expands the Marvel Cinematic Universe into the cosmos, where brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe.  
To evade the ever-persistent Ronan, Quill is forced into an uneasy truce with a quartet of disparate misfits-Rocket, a gun-toting raccoon, Groot, a tree-like humanoid, the deadly and enigmatic Gamora and the revenge-driven Drax the Destroyer. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must do his best to rally his ragtag rivals for a last, desperate stand-with the galaxy's fate in the balance. (C) Walt Disney

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for some language)
Genre: Action & Adventure , Science Fiction & Fantasy
Directed By: James Gunn
Written By: Nicole Perlman , James Gunn
In Theaters: Aug 1, 2014 Wide
On DVD: Dec 9, 2014
US Box Office: $333.2M
Runtime:
Walt Disney Pictures - Official Site

Cast:

source:http://www.rottentomatoes.com/m/guardians_of_the_galaxy
You can read this movie's complete review here:
http://screenrant.com/guardians-galaxy-reviews/


Selasa, 12 Mei 2015

Insurgent - One Choice Can Destroy You

Synopsis

Directed by Robert Schwentke, the second film in the Divergent series find Tris (Shailene Woodley) and Four (Theo James) on the run from Jeanine Matthews (Kate Winslet) while trying to figure out the secret that will help the rebels build a new and better future.

source:http://www.fandango.com/thedivergentseries:insurgent_177207/plotsummary 

 

Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart. 

source: http://android-movies.com/en/movie/262500/Insurgent-2015 

 

Movie Info 

THE DIVERGENT SERIES: INSURGENT raises the stakes for Tris as she searches for allies and answers in the ruins of a futuristic Chicago. Tris (Woodley) and Four (James) are now fugitives on the run, hunted by Jeanine (Winslet), the leader of the power-hungry Erudite elite. Racing against time, they must find out what Tris's family sacrificed their lives to protect, and why the Erudite leaders will do anything to stop them. Haunted by her past choices but desperate to protect the ones she loves, Tris, with Four at her side, faces one impossible challenge after another as they unlock the truth about the past and ultimately the future of their world. (C) Lionsgate 

 

source:http://www.rottentomatoes.com/m/insurgent/ 

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Senin, 11 Mei 2015

The Last Witch Hunter

Tormented by the loss of his family and cursed with immortal life, the last witch hunter is all that stands between humanity and the combined forces of the most horrifying witches in history.


New York City hides many secrets, but the most astounding secret of all is that witches still live amongst us. Condemned to a life of immortality, the last witch hunter, Kaulder (Vin Diesel), is all that stands between humanity and a new reign by the most horrifying and powerful witches in history, including the Queen Witch who will stop at nothing to reclaim her throne.
source:http://www.comingsoon.net/movie/the-last-witch-hunter

Jumat, 01 Mei 2015

Avengers: Age of Ultron

In the mid-1970s, an exponent introduced me to the Avengers. I preferred the action, their serialized stories, the conflict. and therefore the character i used to be drawn to the foremost was the "synthezoid" referred to as Vision.




When I learned Ultron would be the villain during this film, I thought, Well, you cannot have Ultron while not Vision. And you cannot have Vision while not Scarlet Witch. (They eventually wed within the comics.) And sure as shooting, they are all here.

That'll satisfy a lot of long fans like me. And even the sort of narrative meddling director god Whedon indulges here and there does not ruin too several things. Similarly, tho' there is a heap of onscreen destruction, Earth's Mightiest Heroes do their best to reduce bloodshed. therefore the result's an old-school mag encounter that ultimately feels, well, like AN old-school mag, powerfully action the superhero values of humility, teamwork, forgiveness, trust and, of course, sacrifice.

That makes the infrequent foul language and sexual implication frustrating on behalf of me, as a fan, as a dada and as a blocked In moving picture reviewer. We're barely a moment into the fun once Stark, in battle, spews out an s-word. Captain America rebukes him, yelling, "Language!" so utterance becomes a running joke from then on, with characters commenting on or correcting others whenever a alternative word slips out.

Just as Ultron himself is self-conscious, then, the moving picture named when him exhibits a sort of consciousness regarding its sometimes jumpy content. whether or not it's Norse deity revamping his statement regarding the Hulk's victims attending to hell, conversations regarding limiting injury to civilians, or banter regarding inappropriate interjections, god Whedon's script is packed with winks that permit us grasp that he is aware of specifically what direction criticisms ar possible to come back from.

But do such duteous disclaimers somehow negate the negative influence these moments can be having on viewers (especially younger ones)?

Those shortcomings do not fully obscure all the positives I've simply mentioned, of course. therefore it makes me once more think about Vision's assessment of humanity: "There is grace in their failings," he says.


"Avengers: Age of Ultron"

"What if the globe was safe?"

That's the question industrial genius Tony Stark (otherwise referred to as Iron Man) asks Bruce Banner (Hulk). What if we have a tendency to may place a "shield round the world?" he wonders. What if we have a tendency to may produce "peace in our time?"

What if we have a tendency to may use the dormant Ultron project to try and do it.

"I thought Ultron was a failure," Banner says.

It was, Stark responds. however currently that they've retrieved Loki's scepter, an whole of immeasurable power, they need the facility to bring Stark's final would-be peacekeeper to life.

Banner thinks they ought to tell the opposite Avengers.

Stark's not therefore positive. "I don't desire to listen to the man-was-not-meant-to-meddle speech," he says.

Turns out Tony Stark ought to have listened to it speech. as a result of by the time Ultron involves life, well, it's safe to mention the stud hunk of high-tech  metal has a reasonably completely different plan regarding his mission. And it ain't peacekeeping.

"I grasp you meant well," Ultron tells his creator. "You simply did not assume it through. however is humanity purported to be saved if it is not allowed to evolve?"

And by evolution, Ultron means that extinction. that is the solely "path to peace," he says.

So that is our fate, folks, unless Iron Man, Hulk, Captain America, Thor, Black Widow, Hawkeye and a number of newcomers will thwart the psychoneurotic monster's genocidal plot. Yep, it is time to heat up an explicit star-spangled defend, a magnificently serious hammer, myriad specialised arrows, repulsor rays, oh, and a giant ol' set of smashing inexperienced fists.

Genre: Drama, Action/Adventure, Sci-Fi/Fantasy
Cast: Robert Downey Jr. as Tony Stark/Iron Man; Chris Hemsworth as Thor; Mark Ruffalo as Bruce Banner/The Hulk; Chris Evans as Steve Rogers/Captain America; Scarlett Johansson as Natasha Romanoff/Black Widow; Jeremy Renner as Clint Barton/Hawkeye; James Spader as the voice of Ultron; Samuel L. Jackson as Nick Fury; Don Cheadle as James Rhodes/War Machine; Aaron Taylor-Johnson as Pietro Maximoff/Quicksilver; Elizabeth Olsen as Wanda Maximoff/Scarlet Witch; Paul Bettany as Vision/Jarvis; Thomas Kretschmann as Strucker
Director: Joss Whedon (Much Ado About Nothing, The Avengers, Serenity)
Distributor: Walt Disney
In Theaters: May 1, 2015

Reviewer: Adam R. Holz


source:http://www.pluggedin.com/movies/intheaters/avengers-age-of-ultron.aspx

Jumat, 24 April 2015

The Age of Adaline

Please read our sister's movie reviews site in 3 platform: Blogspot, Webs.com, and Wordpress. It's available in two different languages (English and French).

The Age of Adaline may be a high-concept romance that mixes nearly sci-fi levels of broad fantasy with the idol sensibilities of one thing sort of a Nicholas Sparks novel.

On the positive facet, meaning it's occasionally each introspective  and visually spectacular. whereas trying back through history and musing over the thought of perpetual youth and everlasting beauty, the film suggests that such an amazing existence would seemingly be a lonely one, making associate surroundings during which there would be no probability of experiencing the relative oomph of growing recent with somebody you dearly wanted. Or, as William laments to Adaline once searching for her secret, "For all those years you have lived, you have ne'er had a life."

On the opposite hand, the film conjointly celebrates less thoughtful convictions, particularly once it tells us that "true love" and casual hops into the sack area unit a natural and dateless combination. And after you mix all told the opposite lesser moments of straightforward sure thing and even occasional eye-roll-worthy silliness, well, the result looks a shade less lasting.


The Age of Adaline
Getting some devious soul to forge yet one more set of pretend identification documents has develop hat for Adaline Bowman. … Or, wait, it's Jennifer Larson of late.

No, she's not a agent or a world spy. simply a delicate, soft lady who each ten years approximately should uproot and retool her life, slippery  into a special world and a special set of labels. Why? Well, if any curious kind ever caught a glimpse of all her passports and driver's licenses the sole certainty they'd notice is that with every new name, every new birth date, the girl originally named Adaline continually appearance precisely the same. within the Nineteen Forties, '50s and '60s, all the high to 2014, she's systematically been a stunning and dateless twenty nine.

Adaline, you see, doesn't age.

If that very same curious passport glimpser conjointly arranged  his hands on the correct microfilm newspaper copy or set of sepia-toned pictures, or if he happened upon the correct vintage, early 20th-century short subject, he would possibly piece along that this lovely miss began a singular journey nearly eighty years back.

It was 1935 once she accidentally ran her automobile off associate icy road and tense unconscious and immersed during a cooling stream. within the next few moments her blood heat plummeted and her heart slowed to a stop. it had been a blazing bolt of lightning that jumpstarted her back to life, somehow for good dynamical her body chemistry within the method and creating her "immune to the ravages of your time."

Now, some would say such a factor should be a miraculous boon. would not or not it's marvellous, they'd muse, to remain constantly young and beautiful? to own all the time within the world? For Adaline, though, it's not quite such a captivating gift.

Yes, she's traveled, intimate with abundant and grownup intellectually over the years. however having perpetual youth conjointly means that there area unit those that would create her into very little quite a test-tube project if they may. And whereas operating to avoid that crowd, she's usually had to observe her female offspring from a distance because the kid turned from woman to attractive to grey. For that matter, each chance of friendly relationship or, worse, love should reasonably be unbroken as a momentary, casual factor. simply observance her beloved pets become older and die is painful enough.

Still, there area unit times once even her keep-everyone-at-a-distance caution cannot stop somebody special from slippery  in from the sides of her life, men drawn to her distinctive beauty, depth and knowledge like moths to a flame. And it's at those times that Adaline sheds a tear—weeping mutually blessed and cursed in equal live.

Credits
Genre: Drama, Romance, Sci-Fi/Fantasy
Cast: Blake Lively as Adaline Bowman; Michiel Huisman as Ellis Jones; Harrison Ford as William Jones; Ellen Burstyn as Flemming
Director: Lee Toland Krieger
Distributor: Lionsgate
In Theaters: April 24, 2015

Reviewer: Bob Hoose

source:http://www.pluggedin.com/movies/intheaters/age-of-adaline.aspx

Rabu, 22 April 2015

Ex Machina

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The title Ex Machina is that the last a part of the phrase Deus ex machina, which accurately suggests that "god from the machine." throughout plays in Greek and Roman times, stagehands would typically use a crane to lower characters or "deities" into a hopeless scene to alter the result of events at the last moment, manufacturing a "miraculous" answer to an otherwise insoluble downside.

Here, Nathan definitely exudes godlike pretentions. however a lot of to the purpose is that the level to that the machine Nathan's created has up. it is a machine with a surprising AI that goes so much on the far side simply passing the Turing check. it is a machine named Ava who steals Caleb's heart … and eventually shatters it with a similar quite cold, calculated crafty that her creator therefore utterly sculpturesque for her.


In ways that shortly aloof from marine turtle Scott's seminal exploration of what it suggests that to be human in 1982's Blade Runner, Ex Machina flirts with the queries of whether or not a automaton will actually be alive, whether or not humans ought to be cautious once it involves making AI, and whether or not our romance with more and more godlike technology are going to be our undoing.

But those don't seem to be the sole things thrusting at provocation here. Alas.

From the instant Caleb meets Ava, the story's charged with an electrical, sexy undercurrent that culminates with many graphic scenes golf stroke feminine "robot" bodies absolutely on show. And, clearly, Nathan has created his fembots with sex pretty much in mind.

So Ex Machina is an intriguing, chilling, flesh-filled rumination on the potential potentialities and pitfalls of AI—a cautionary tale regarding high technical school that has to be treated with high caution itself.

Movie Reviews
Caleb Smith has simply won the lottery. it is not the type of lottery most of the people ever have an opportunity to play. The 26-year-old programmer at the world's largest computer programme, Bluebook, has won a company-wide contest to pay per week with their magnificently reclusive president, Nathan Bateman.

How reclusive? Well, to induce to the guy, Caleb is flown by chopper to Associate in Nursing unspecified  mountainous wild … and born off with no residence seeable. "This is as shut as i am presupposed to get to the building," the pilot says. "What building?" Caleb asks. "Follow the watercourse," the pilot instructs.

Caleb follows it, finally finding Nathan Bateman's home, most of that is nestled—without windows—into the encircling granite. it is not simply a home, Nathan tells him. it is also a hunt facility. And Caleb, it seems, has been chosen not simply to hold with the mavin adult male. Bateman. he is been picked to check the fruit of Nathan's game-changing research: a automaton named Ava.

Ava may be a lovely, voluptuously sculptured automaton with an all-too-human face. Caleb's task? to use the questionable Turing check so as to determine whether or not the machine's AI has really achieved freelance consciousness.

Caleb tries to play it cool along with his disturbingly artful boss and also the lovely "woman" he is created. however it's obvious Caleb's falling for her—just as Nathan had anticipated. And Ava, it seems, is falling for Caleb, too. however that is hardly the sole proof that Ava will so have a mind of her own, as Caleb and Nathan each shortly discover.

Credits
Cast: Domhnall Gleeson as Caleb Smith; Alicia Vikander as Ava; Oscar Isaac as Nathan Bateman; Sonoya Mizuno as Kyoko
Director: Alex Garland
Distributor: Universal Pictures
In Theaters: April 10, 2015

Reviewer: Adam R. Holz

source:http://www.pluggedin.com/movies/intheaters/ex-machina.aspx

Senin, 20 April 2015

Into the Woods

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Reviews
All roads lead "Into The Woods".
That close and thickly trapped thatch of crooked branches and winding methods might not seem like a lot of however, well, on a would like and a prayer, everybody appears to be going there for a few contemporary air. A contemporary song. And a contemporary outlook.
Young, giddy Jack treks through the woods on his mother's command to sell their recent cow within the neighboring village. He desires he may save his expensive four-legged friend, whitish White.

Little Red walks the woodsy footways wrapped in her long cloak for defense whereas scarfing down sweets. She desires to search out her approach safely to her grandmother's house.

The misused kid Cinderella rushes into the thickets to go to her mother's grave. Her not-so-secret cinder-smudged would like is to travel to the royal ball.

The splendidly tressed Rapunzel is already knotted up in these woods, barred away in a very long-forgotten doorless tower. thus i do not suppose I actually have to inform you what her would like is.

The humble village Baker and his unfruitful adult female dash into that dark density to satisfy the strain of the Witch. they want to possess a baby, you see, and it appears solely the Witch will create their dreams come back true … when they gather for her "a cow as white as milk, a cloak as red as blood, a slipper as pure as gold, some hair as yellow as corn."

So what happens once desires collide? UN agency can live mirthfully ever after? not at all the large.


"Wishes come back true, not free."
That's a pithy, level-headed axiom. And it's ironic, in a way, that Disney—the home of wispy happily-ever-afters and multitudes of wished-upon stars—has Lent its name to a musical therewith motif plain-woven thus tightly into its signature. For Into the Woods makes no bones concerning telling U.S.A. simply however expensive misplaced desires and dreams will be. Or, within the case of well-placed desires, however expensive it's to pursue them while not exercise restraint and caution on the approach.

The musical takes it cues from the Brothers Grimm, to be sure. Dark dangers and sexy delights clash and clang throughout. Princes seduce and cheat. Wolves lurk and lure very little women. the great guys fail and fall in generally fatal ways that.

Yet this is often maybe the foremost appealingly staged and splendidly solid piece of musical knowledge you are absolute to encounter. As we tend to hear on the song "I understand Things currently," "Even flowers have their dangers/And tho' shivery is exciting/Nice is totally different than smart."

A rendition of author Sondheim's 1987 stage production concerning tumbled along fairy tales, Into the Woods is arbitrary and unconventional, enthralling and thoughtful. By the ultimate curtain it makes it plain that even in a very crooked-branch storyland of wicked witches and luxurious slippers, foolish and self-serving behaviors come back at a high worth. solely toil and steadfast love, we're told, will heal the guts and set the incorrect things of the Woods right another time. solely smart examples from oldsters will facilitate kids grow old and help themselves. solely dads UN agency stick it out will expertise the thrill their children will bring.

Credits
Genre: Musical, Comedy, Drama, Romance, Sci-Fi/Fantasy
Cast: Anna Kendrick as Cinderella; Meryl Streep as The Witch; James Corden as The Baker; Emily Blunt as The Baker's Wife; Chris Pine as The Prince; Billy Magnussen as The Other Prince; Johnny Depp as The Wolf; MacKenzie Mauzy as Rapunzel; Lilla Crawford ad Little Red; Daniel Huttlestone as Jack
Director: Rob Marshall (Pirates of the Caribbean: On Stranger Tides, Nine, Memoirs of a Geisha, Chicago)
Distributor: Walt Disney
In Theaters: December 25, 2014
On Video: March 24, 2015

Reviewer: Bob Hoose

Source:http://www.pluggedin.com/movies/intheaters/into-the-woods.aspx


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Minggu, 05 April 2015

Jinn

Despite OK visual effects, a few chills and some newfangled movie monsters, writer-director Ajmal Zaheer Ahmad’s supernatural thriller “Jinn” often feels like one-half of an old grindhouse double bill.  It’s a watchable if rather convoluted effort.


The titular jinn, according to Eastern mythology, are one of three races created “In the beginning…” (the other two are man and angels).  Conveniently--for a horror film, anyway--the mysterious jinn are nothing if not flexible.  These time- and shape-shifting beings can be good or bad, peaceful or violent, invisible or in your face (at times they resemble upright fireplaces).  Whatever, you want them on your side.

Unfortunately for Shawn (Dominic Rains), a model-handsome Michigan auto designer married to the equally pretty Jasmine (Serinda Swan), he must suddenly do battle with a vicious sect of the jinn, the Shayateen, due to a family curse that stretches back to 1901.  Suffice to say this ancestral history is news to Shawn and it’s delivered the old-fashioned way: on a VHS tape.

What follows is a frantic few days in which Shawn must collaborate with an unlikely trio of jinn experts--a shadowy priest (William Atherton), a protective tough guy (Ray Park) and a manacled mental patient (Faran Tahir)--to learn how to fight the fiery Shayateen at their own miserable game and, y’know, save the world.  This demands that, among other things, Shawn pass an ancient ritualistic test called the Chillah (don’t ask).

Meanwhile, Jasmine, who may or may not be pregnant with Shawn’s child, has allegedly been abducted by the bad jinn. Cue the stacked deck.

Magical swords, evil doppelgangers, a sexy black muscle car, an unremarkable final showdown and lots of first-draft dialogue factor into this thankfully brief (about 80 minutes plus end credits) frightfest. 

As for the film’s closing promise: “The Jinn will return”--don’t hold your breath.


Sabtu, 04 April 2015

The Hobbit: The Battle of the Five Armies

“So began a battle that none had expected,” wrote JRR Tolkien in the third-from-last chapter of The Hobbit. “And it was called The Battle of the Five Armies, and it was very terrible.” Peter Jackson’s expansion of this epochal but barely-described fracas, in his third and final film from this slim book, is neither very terrible nor remotely unexpected. It’s a series of stomping footnotes in search of a climax.

In terms of story so far, it ends virtually when it starts – with super-peeved dragon Smaug (Benedict Cumberbatch) raining down fiery destruction on the pitiful residents of Laketown, and facing the last-ditch heroism of an archer called Bard (Luke Evans).

Everything else is scraps, in both senses. Jackson’s one recourse is to ape the here-we-go-again war mania of The Return of the King. Humans, dwarves and elves duke it out with orcs and wild wolves. It's a whopping great grudge match, a squabble over the contents of Smaug’s mountain lair, and goodness knows what else.

The trouble is that Jackson can’t make it mean very much: when every life on Middle Earth is seemingly at stake, few individually grab our attention. There’s more aftermath than plot left, and very little of it has to do with Bilbo (Martin Freeman), who feels increasingly like a forlorn bystander in his own franchise.

The further and more competently the movie trundles on, the more it begs not to exist, really: hindsight favours a two-part adaptation at most. This isn’t to say there aren’t bright spots. However it was fudged, 92-year-old Christopher Lee doing Shaolin kung fu with his magic staff is great value. And the last third is rescued by one meaty, entertaining set piece – crumbling citadel, frozen lake, one-on-one duels between orcs and the principal cast. Freeman, and Evangeline Lilly as the not-in-Tolkien elf maiden Tauriel, inject some unforced pathos which puts many of their dewy-eyed co-stars to shame.

The bloom has come off Orlando, though, whose main achievement as Legolas – other than some ridiculous mid-air running up collapsing masonry – is to illustrate perfectly what Joey Tribbiani from Friends called “smell the fart acting”.

When the dwarf leader Thorin (Richard Armitage) imagines himself drowning in a pool of molten gold, Jackson’s pet message that Greed Is Bad rings out again – but you have to wonder if a triple-your-money release strategy is quite the seemliest context to preach it in. At 6ft 2", Armitage must be the tallest actor ever to play a dwarf. The film is the opposite: a paragraph on steroids.
source:http://www.telegraph.co.uk/culture/film/filmreviews/11260252/The-Hobbit-The-Battle-of-the-Five-Armies-first-look-review-begs-not-to-exist.html

Movie Info
From Academy Award (R)-winning filmmaker Peter Jackson comes "The Hobbit: The Battle of the Five Armies," the third in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. "The Hobbit: The Battle of the Five Armies" brings to an epic conclusion the adventures of Bilbo Baggins, Thorin Oakenshield and the Company of Dwarves. 
Having reclaimed their homeland from the Dragon Smaug, the Company has unwittingly unleashed a deadly force into the world. Enraged, Smaug rains his fiery wrath down upon the defenseless men, women and children of Lake-town. Obsessed above all else with his reclaimed treasure, Thorin sacrifices friendship and honor tohoard it as Bilbo's frantic attempts to make him see reason drive the Hobbit towards a desperate and dangerous choice.
But there are even greater dangers ahead. Unseen by any but the Wizard Gandalf, the great enemy Sauron has sent forth legions of Orcs in a stealth attack upon the Lonely Mountain. As darkness converges on their escalating conflict, the races of Dwarves, Elves and Men must decide - unite or be destroyed. Bilbo finds himself fighting for his life and the lives of his friends in the epic Battle of the Five Armies, as the future of Middle-earth hangs in the balance.
(c) Warner Bros

Rating: PG-13 (for extended sequences of intense fantasy action violence, and frightening images)
Genre: Action & Adventure , Science Fiction & Fantasy
Directed By: Peter Jackson
Written By: Philippa Boyens , Guillermo del Toro , Fran Walsh , J.R.R. Tolkien , Peter Jackson
In Theaters: Dec 17, 2014 Wide
On DVD: Mar 24, 2015
US Box Office: $255.1M
Runtime: 2 hr. 24 min.

Warner Bros. - Official Site
source:http://www.rottentomatoes.com/m/the_hobbit_the_battle_of_the_five_armies/



The Hunger Games: Mockingjay - Part 1

The biggest problem with the new Hunger Games movie is right there in the title: Part 1. Mockingjay, the final installment in Suzanne Collins’ best-selling YA trilogy, wasn’t conceived in two parts. That was a decision made in Hollywood by a studio looking to double down and milk every last dime out of its blockbuster franchise. The suits probably thought, ”Hey, it worked for Harry Potter and Twilight, so why not us?” You can’t blame them for wanting to keep the good times rolling. But it’s a pretty cynical business plan, and it’s led to a film that feels needlessly padded. Mockingjay—Part 1 is like a term paper with the margins enlarged and the font size jacked up to reach the assigned number of pages.

This is especially disappointing because the previous chapter, 2013’s Catching Fire, was such a pleasant surprise. While the 2012 original laid out Collins’ dystopian death-sport milieu with flair and faithfulness, it was also a bit flat. Catching Fire, on the other hand, gave the heroine, Katniss Everdeen, an adrenalized urgency. As played by Jennifer Lawrence, Katniss developed into a character who was both brainy and badass. Now, in Mockingjay—Part 1, she’s become passive. The movie picks up after the incendiary conclusion of Catching Fire’s Quarter Quell, when Katniss was rescued and brought to the rebels’ underground fortress in District 13. Here, the anti-Capitol leaders plot their next strike against President Snow (Donald Sutherland), hatching a plan to turn Katniss into the fiery symbol of the resistance and spur the powerless citizens of Panem to rise up against the Capitol. It’s a propaganda war, and she’s the secret weapon—a Che Guevara T-shirt made flesh. The rebel brain trust includes President Coin (Julianne Moore, sporting silver Cruella De Vil locks), spin-savvy strategist Plutarch (Philip Seymour Hoffman, to whom the film is dedicated), hacker Beetee (Jeffrey Wright), the newly clean and sober Haymitch (Woody Harrelson), and Effie Trinket (Elizabeth Banks, channeling a drag queen). They send Katniss and Gale (Liam Hemsworth) to the front lines with a guerrilla film crew that records her battlefield heroics and beams it all back to the huddled masses.

But Snow has a secret weapon of his own. Kidnapped by the nefarious president’s forces at the end of the last movie, Peeta (Josh Hutcherson) reappears in the Capitol, and in a series of interviews with the sensationalist journalist Caesar (Stanley Tucci), he denounces Katniss and urges a cease-fire. The betrayal devastates her, forcing her to realize that her feelings for him weren’t a charade after all. With its Wag the Dog subplot and fist-in-the-air proletarianism, Mockingjay may be the most harmlessly Marxist movie to come out of Hollywood since Reds

I suppose director Francis Lawrence and writers Peter Craig and Danny Strong deserve some credit for daring to sneak any political cheekiness into a movie that’s as big and corporate as this. But overall their hands are tied too tightly. While the series’ first two films captured the grandeur of the outdoors during the kill-or-be-killed competitions, Mockingjay is mostly bound to the bleak and claustrophobic bowels of a bunker. It suffocates the film. And when the story finally does manage to get interesting toward the end, it just screeches to a halt and cuts off, leaving fans wriggling on the hook for a finale they won’t get to see for another 12 months. That’s not a cliff-hanger, that’s just a tease.
source:http://www.ew.com/article/2014/12/05/hunger-games-mockingjay-part-1

Movie Info
The worldwide phenomenon of The Hunger Games continues to set the world on fire with The Hunger Games: Mockingjay - Part 1, which finds Katniss Everdeen (Jennifer Lawrence) in District 13 after she literally shatters the games forever. Under the leadership of President Coin (Julianne Moore) and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta (Josh Hutcherson) and a nation moved by her courage. The Hunger Games: Mockingjay - Part 1 is directed by Francis Lawrence from a screenplay by Danny Strong and Peter Craig and produced by Nina Jacobson's Color Force in tandem with producer Jon Kilik. The novel on which the film is based is the third in a trilogy written by Suzanne Collins that has over 65 million copies in print in the U.S. alone.
(c) Lionsgate

Rating: PG-13 (for intense sequences of violence and action, some disturbing images and thematic material)
Genre: Drama , Action & Adventure , Science Fiction & Fantasy
Directed By: Francis Lawrence (II) , Francis Lawrence
Written By: Danny Strong , Peter Craig
In Theaters:
On DVD: Mar 6, 2015
US Box Office: $337.1M
Runtime:
Lionsgate Films - Official Site
source:http://www.rottentomatoes.com/m/the_hunger_games_mockingjay_part_1/